Earth Energy: Fine Art Landscape Photography by Seung Kye Lee

Wave Zen

(Fine Art Landscape Photography by Seung Kye Lee) — Fri, 12 Mar 2010 00:00:00 GMT

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Earth Energy

(Fine Art Landscape Photography by Seung Kye Lee) — Fri, 12 Mar 2010 00:00:00 GMT

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Since The Break Of Dawn

(Fine Art Landscape Photography by Seung Kye Lee) — Fri, 12 Mar 2010 00:00:00 GMT

Seeing these rocks being dead calm in a stormy sea, covered with breaking waves over and over again, I wanted to focus on their immobility and zen-like quality if compared to how we humans react to outer disturbance and chaos.

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Ventus Aqua

(Fine Art Landscape Photography by Seung Kye Lee) — Fri, 12 Mar 2010 00:00:00 GMT

Storm by the coast.

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Gravitational Attraction

(Fine Art Landscape Photography by Seung Kye Lee) — Fri, 12 Mar 2010 00:00:00 GMT

The gravitational attraction between the Earth and the Moon is strongest on the side of the Earth that happens to be facing the Moon, simply because it is closer. This attraction causes the water on this “near side” of Earth to be pulled toward the Moon. As gravitational force acts to draw the water closer to the Moon, inertia attempts to keep the water in place. But the gravitational force exceeds it and the water is pulled toward the Moon, causing a “bulge” of water on the near side toward the Moon (Ross, D.A., 1995).

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Navitas

(Fine Art Landscape Photography by Seung Kye Lee) — Fri, 12 Mar 2010 00:00:00 GMT

Some waves undergo a phenomenon called "breaking". A breaking wave is one whose base can no longer support it`s top, causing it to collapse. A wave breaks when it runs into shallow water, or when two wave systems oppose and combine forces. When the slope, or steepness ratio, of a wave is too great, breaking is inevitable.

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If There Is No Thought, There Is No Doubt

(Fine Art Landscape Photography by Seung Kye Lee) — Fri, 12 Mar 2010 00:00:00 GMT

When observing the massive energy and momentum of waves, there is almost no actual forward motion of the individual water particles.

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Days And Nights

(Fine Art Landscape Photography by Seung Kye Lee) — Fri, 12 Mar 2010 00:00:00 GMT

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Cryosphere

(Fine Art Landscape Photography by Seung Kye Lee) — Fri, 12 Mar 2010 00:00:00 GMT

Abstract patterns in ice.

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Sub-Arctic

(Fine Art Landscape Photography by Seung Kye Lee) — Fri, 12 Mar 2010 00:00:00 GMT

Abstract patterns in ice.

Aufeis accumulates during winter along stream and river valleys in arctic and subarctic environments. Aufeis forms by upwelling of river water behind ice dams, or by ground-water discharge. The latter mechanism prevails in high-gradient alpine streams as they freeze solid. Ground-water discharge is blocked by ice, perturbing the steady-state condition, and causing a small incremental rise in the local water table until discharge occurs along the bank at the top of the previously formed ice. Successive ice layers can lead to aufeis accumulations that are several meters thick. Aufeis typically melts out during summer and will form in the same place year after year (Hu and Pollard, 1997).

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Duality

(Fine Art Landscape Photography by Seung Kye Lee) — Fri, 12 Mar 2010 00:00:00 GMT

Oslo, January 2009.

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Light And Time

(Fine Art Landscape Photography by Seung Kye Lee) — Fri, 12 Mar 2010 00:00:00 GMT

Old Maple (Aceraceae) leaf. Asker, November 2009.

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Metamorphosis

(Fine Art Landscape Photography by Seung Kye Lee) — Fri, 12 Mar 2010 00:00:00 GMT

Maridalen, November 2006.

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The Museum

(Fine Art Landscape Photography by Seung Kye Lee) — Fri, 12 Mar 2010 00:00:00 GMT

Grorud, Norway.

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